Cinema paradiso toto and alfredo relationship

Cinema Paradiso - Wikipedia

cinema paradiso toto and alfredo relationship

Last night I showed Cinema Paradiso to someone close to me, who had never seen It is the story of the relationship between Salvatore (aka Toto), a smart boy With the loss of his father, Alfredo becomes a father figure to. Cinema Paradiso is a Italian drama film written and directed by Giuseppe Tornatore. Salvatore obviously shies from committed relationships and has not been to his home village of Giancaldo, Sicily in 30 At first, Alfredo considers Toto a bit of a pest, but eventually he teaches Salvatore to operate the film projector. As time passes, Toto becomes a teenager, and Cinema Paradiso takes on a . This renders the Alfredo-Toto relationship in much darker tones.

Its as if Alfredo knows he can be of help and guidance to the young boys life. This could spark the concerns that Alfredo never had any children of his own to love. Instead of meaning his own children, Alfredo is referring to Toto.

It also portrays Alfredo as a father by having Toto ride on the handle bars of the bicycle. As they are walking back through the massive rubble created by war, Toto holds the had of his weeping mother. He looks over at a film poster advertising Gone with the Wind. When Toto sees this man holding a woman in the poster he now realizes what an important piece of his life is now gone forever.

He smiles knowing how much his mother and father both loved each other. This scene is also important because it shows a transition of moving on for both Toto and his mother. There is an unfortunate accident at the Cinema Paradiso, a fire starts when the projector ignites the film.

As Alfredo acts to douse the fire, the reel of the projector explodes and blinds him in the process. These are his movies, his way of playing and make-believe. For that, and his almost unhealthy obsession with movies, Toto is banned from the projection booth and Alfredo is admonished for allowing the boy the freedom to steal film. The punitive sentence does not last long. Ciccio with his lottery wealth returns to rebuild the movie house, ending the era of Church censorship and control.

Post-fire, Toto runs the booth himself until Alfredo returns, blind and scarred. Alfredo is the classic character ignorant of book learning, but rich in the wisdom of life and experience.

Ciccio books racier and more violent films. A prostitute operates openly in a closet, and Toto samples her wares. A small time gangster is murdered in his seat. While watching some film footage Toto, himself, shot, Alfredo has him describe Elena to him.

She comes from a wealthy family, and they do not take kindly to their daughter dating a poor projectionist from a single-parent family.

Again, we are reminded of class struggles in post-war Italy. Even as the s progress, we see reflected in the life of Giancaldo the struggle to recover and rebuild. Cars and buses travel through the town square with herds of sheep. The old ways and the new do not meld easily. In a particularly moving and poignant scene, Alfredo and Toto sit in a doorway.

Tag: Alfredo and Toto

As the camera slowly moves in, Alfredo passionately relates the story of the soldier who falls in love with a princess. To prove his love, the soldier agrees to wait outside her window for a hundred nights. When Toto asks what this story means, Alfredo says he has no idea. The comic payoff is that neither knows what the story means.

Elena has told him she does not love him, so he decides to prove his love for her in hopes of winning her heart. It is sentimental and romantic, and Tornatore revels in it. There are fireworks in the sky, and the citizens of Giancaldo throw plates and dishes out of their windows to crash in the streets.

  • Essay: Cinema Paradiso
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  • Cinema Paradiso – A Cult Classic Review

Out with the old, in with the new. Alas, but Elena never appears.

Alfredo and Toto – Reviews Rants and Rambles

Later, at Cinema Paradiso, she comes to Toto, kisses him, and swears her love in an emotionally cinematic embrace. The projector spins in the background as Toto and Elena twirl together. This is the marriage of cinema and life, two worlds existing in the same space in the projection booth. One is only a projection of reality, a fiction, while the two lovers are real, and although this would make for the perfect fade out at the end of a movie, in real life, things do not always work out this way.

At the theater, television arrives, and Ciccio invests in a receiver to show the broadcasts on the big screen. Alfredo expresses his disgust with game show programming. During the summer heat, Toto shows films outdoors in a seaside amphitheater, and the cinema continues as the prominent medium of mass entertainment and culture.

cinema paradiso toto and alfredo relationship

Toto and Elena are eventually separated when he is drafted and she is sent off to school. In a last ditch effort to see her before they both leave, Toto abandons the projection booth, leaving Alfredo in charge, while he goes to search for Elena. He promises to return before the end of the film, since Alfredo cannot see to change reels. However, Toto fails in his quest, and when he returns, Alfredo tells him it is better. He must follow his destiny and not hold back for a girl whose parents do not want the relationship to continue.

The largest leap forward for Giancaldo comes while Toto is serving in the military. Upon his return, someone new is working the projection booth. The town is drier, more deserted and desolate, more bleak and small, especially for Toto. And Elena has disappeared. All of his letters are returned, and he has no way of locating her. Alfredo has become a recluse, rarely venturing out from his stifling rooms.

Toto goes to see him and asks why he does not speak much anymore, or get out more often. When Toto asks what actor said that in what movie, Alfredo tells him nobody said it. I want to hear others talking about you. He cannot sleep because he is lost in the past. He jump cuts back to the train station in Giancaldo as young Toto leaves.

His elderly mother greets him, and he finds his bedroom preserved like a museum. His mother tells him she remodeled the house with the money he sent her. At the funeral, Salvatore sees all the old faces from Cinema Paradiso, out to pay their last respects to the projectionist.

cinema paradiso toto and alfredo relationship

They are grey and weathered by time. They pass the theater, now closed and dilapidated, about to be torn down to build a parking lot. Nobody goes to the theater anymore, a wizened Ciccio tells him. Later, in an eerie, haunting moment, Salvatore goes inside the shuttered theater.

As he walks through the destroyed interior, he hears the cheers of the audiences of the past, the echoes of history through the dusty curtain of memory.

Essay: Cinema Paradiso

In the shorter version, Elena never appears again and is a wistful memory for Salvatore. Toto makes his way up to the projection booth where he meets the projectionist, Alfredo.

At first, Alfredo is annoyed by the young boy. Slowly but surely, Alfredo sees the love that Toto has for movies, and begins teaching him the ins-and-outs of being a projectionist.

Their bond is fiercely shown, especially during an act of heroism after a tragedy. Cinema Paradiso is a loving homage to the movies and the effect they have on people in so many ways. Paradiso is heartbreaking, yet warm, with hints of humor. The movie hits all emotional notes harmoniously.

The young man is astonishingly good, from learning the sad truth about his father, to the sheer wonder in his eyes while watching a movie. Child acting performances do not get any better than this.

Cinema Paradiso soldier story

Cinema Paradiso has been released to home media courtesy of Arrow Academy, an offshoot of the premiere home media company in both the U.