God of Small Things: Character Analysis - Estha
A Third Space of Love-On Hybridity in Arundhati Roy's "The God of Small Things” . I believe that the relationship between the twins Estha and Rahel represents. Get everything you need to know about Love and Sexuality in The God of Small The relationship between Estha and Rahel is the strongest of the book, as the. Man-woman Relationship in the novel, The God of Small Thing: Reverend E. John Ipe, the great grandfather of Estha and Rahel, who had been a priest of.
Her novel can be considered a hybrid text since it is simultaneously contaminated by the two contexts, the Indian and the British. By choosing to express herself in English, Arundhati Roy is in an advantageous position.
The God of Small Things - Wikipedia
According to Braj Kachru. The life of the Kochamma family appears after a more careful consideration as an illustration of Big India. At the top of the genealogical tree there are Mammachi and Pappachi followed by their children Ammu and Chacko. These two events form the core of the book around which the author creates the web of details concerning five male-female relationships: The couples in the novel are conceived following the pattern of the love-hate relationship which represents a human bond established between individuals who are initially separated by an embedded conflict and who trespass all boundaries in order to be together.
The outcome of such a venture is envisaged by Roy as fruitless and leading only to suffering, isolation and ultimately to loss of life; 1 Arundhati Roy quoted on http: This is a concept created by Roy to stand for a plethora of rules and regulations that her characters choose to ignore: The Ammu-Velutha couple like all the other couples in the book follows the love-hate pattern, the Romeo and Juliet one, as they are brought together by the very fact that they belong to two different social categories: The possibility for a Brahmin woman to engage in a passionate relationship with an Untouchable in real life is inconceivable.
This is an in-between space where love and passion are understood from a different viewpoint. It is in this space that Roy can offer her characters their freedom from all sorts of social, religious or traditional impositions.
The author presents an alternative reality in which women are no longer dominated by men and can make their own decisions however hazardous they may be.
It is a space where transgression cannot have a meaning anymore since there are no rules to be disobeyed. I believe that in designing what I called a Third Space of Love, Roy has tried to unravel the truth of human intimacy which cannot and must not be conditioned by any exterior laws. For Roy love becomes the nucleus around which she weaves the story of the characters.
An authentic emotion has no cause, no purpose, it is like a rare plant that grows unexpectedly from the barren land. An authentic feeling is also a true mystery. It lives in you. It is the center. According to Bhabha there is an ambivalence of the act of communication which is thought to include both the general circumstances of the language and its performative and institutional implications.
They are the key characters of the novel and the writer prefers them at the age of nine as the mirroring consciousnesses of events. I chose to include their relationship into a couple pattern because I believe that theirs is the only genuine manifestation of love which goes deeper than the selfishness of most human bonds in the novel. Estha and Rahel possess a double hybrid nature: In terms of original hybridity, the twins are half Hindu and half Syrian-Christian.
They are condemned by society because they are the sign of both religious and social transgression.
Esthappen and Rahel are two distinctive individuals, yet they share a single identity which is split into two. In those early amorphous years when memory had only just begun, when life was full of Beginnings and no Ends, and Everything was For Ever, Esthappen and Rahel thought of themselves together as Me, and separately, individually, as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities. Neither Estha nor Rahel can function as individuals.
A Brief Analysis of the Relation between Estha and Rahel
They are still connected through an invisible umbilical cord that enables them to behave as one being instead of two. I believe that the relationship between the twins Estha and Rahel represents by far the most evident example of absolute love in the book.
We see this idea in the way the characters interact with each other there are many different types of relationships and in the background for the novel, such as the political issue of touchables and untouchables in India. The complementarity of Estha and Rahel is intentionally designed to emphasize the two halves of love.
The idea of fraternal twins representing love is very unorthodox, but makes sense due to their perfect complementarity.
Throughout the novel the two are seen together, but when they are apart the terrible emptiness they feel is clear.
When Estha and Rahel are together they are whole, and together they represent a love that is complete. The way the twins feel as though they are one is evidence of their representing love. Throughout the novel and from the scenes that describe Estha, the audience comes to think of Estha as a kind, innocent, and methodical boy. He also takes initiative, and this can be seen in the way he feels protective over Rahel, how he is the one to decide that Sophie Mol, Rahel, and he should run away, and how he is the one to row the boat across the river.
It is also clear that Estha is deeply disturbed after being molested by the Orangedrink Lemondrink Man. This incident sticks with Estha for all of his life, and part of the reason he is so deeply disturbed is because molestation is a violation of innocence and love, two things that Estha helps represent in the novel. After Estha is molested he starts to feel sick and goes to the bathroom with Ammu and tries to vomit. Roy sets the background of the story with political issues in India.